The Best Production of The Messiah , you willl everr see, with style and
street credability that will take your breath way..Treat yourself or
some one Special. Children under 16 are FREE.
After last years amazing performance of this amazing production of the " Messiah "in which its power left many in tears..this year we are delighted to welcome the production back to St Nicholas Church Deptford Green SE8 the burial place of Christopher Marlowe and a wonderful church spacev that dates back to saxon times.
After last years amazing performance of this amazing production of the " Messiah "in which its power left many in tears..this year we are delighted to welcome the production back to St Nicholas Church Deptford Green SE8 the burial place of Christopher Marlowe and a wonderful church spacev that dates back to saxon times.
Below
are 147 words from a review by WhatsonStage in 2011 - PLEASE MENTION
WHATSONSTAGE IN YOUR NOTE. This is a both a review and also tells the
reader something about the show so it should cover both bases.
You will find images at this link: https://www.dropbox.com/sh/sgtb596uce5gk72/AACp2ZACAtx6vtXAQBZIUrBoa?dl=0
Our Facebook link is: www.facebook.com/merryopera
Our Twitter link is: www.twitter.com/MerryOpera
This is the direct link yo secure your tickets for this bank holiday weekend event Saturday 30 april 2016. 6pm-9pm http://www.deptfordheritagefestival.org.uk/opera-at-st-nicholas-church/,
Here is the stuff from the review by Whatsonstage in 2011:
‘Handel’s
Messiah has become standard fare for the festive repertoire, but Merry
Opera’s imaginative new staging is anything but predictable. John
Ramster’s (director) addition of back-stories for each character creates
exciting new depths and colour to the arias.
Ramster states that the central story of the show is birth,
death and resurrection. However he goes further than this with his
creation of individual personalities, allowing us to examine the reasons
behind faith. The characters aren’t stereotypes, and since they only
sing of the Messiah rather than reflective arias, the audience is
challenged to create their own interpretations. This performance is
engaging because it isn’t handed to you on a plate.
Characters
initially appear disjointed, as if each visiting the church for the
first time. As the show progresses they become more unified, as a
congregation supporting one another.’
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